Model

Live in a Dream

The idea and concept for this shoot came to me when I had a conversation with a friend and she told me that she would rather live in her dreams than in reality. Her story struck me because it made me question reality and what it would feel like to live in an eternal dream.

I have always wondered what boundaries exist between dream and reality. What would it take to live in an eternal dream in where you can have complete control of the world? With the series, I question our reality and how its connected to dreams. Our dreams are an entry way to another kind of reality. I believe that if we have full control of our dreams, it could be a fully realized reality just as much as the one we live in now.

The model for this shoot is Olivia Medina and she is doing a lot of great work. She is a professional model and was recently the cover model for Rogue magazine.

This was the first time I worked with a professional model that wasn’t initially one of my friends and it was very intimidating. However, working with professional models is very rewarding because they know their angles very well. She saw my work on facebook and thus we ended up collaborating for this shoot. This is why it is important to share your work to the public even when you’re just getting started. The best way to spread you work out is through websites like Flickr or Facebook. Don’t be scared of criticism but rather accept it. You miss out on a lot of opportunities if you don’t.

I used three different locations for this shoot. The first location we shot at was on a yacht provided by a friend of mine. The next is actually the house next to mine back in Manila. They had torn their house down to build a new one and I just couldn’t resist. I didn’t know the owner of the lot so we had to sneak in, totally worth it. Always keep your eyes opened for locations that would be great for a shoot. The last location was a furniture showroom that again was provided by a friend.

For the concept to fully realize itself, I had to make sure that I had the correct lighting. I timed my shoot in each location so that I could use the sun to my advantage. This is very important when planning a photo shoot. Always keep the sun and its light in your mind.

According to a lot of great photographers out there, the best investment you can make aside from your camera would be lighting equipment. Ambient light will always be the best kind of light but it is also very hard to control.

It was about 3pm when we finished setting up for our first shoot. It was a great day out but there wasn’t a lot of clouds in the sky so the sun light wasn’t diffused and created really harsh shadows. There are a couple ways to lighten up these shadows, one is a reflector and another is a secondary light source. Light sources can range from a flash light, a speed light to studio strobes.

Reflectors are an essential to a portrait photographer and I highly advice you getting one. They are not so expensive and they can easily improve your portrait photographs. I found one in Amazon that works perfectly, Neewer 110CM 43″ 5-in-1 Collapsible Multi-Disc Light Reflector. You can easily change this reflector to different things to suit your needs. I used it as a diffuser for this shot.

I used a combination of the diffuser and a secondary light to decrease the harsh contrast on the model.

Here is the whole series: “Live In A Dream”

I edited these photos mainly using Adobe Photoshop and Lightroom 4. I also used Portrait Professional Studio for retouching. If you have more questions on how I produced these images, feel free to comment here or post on my wall on facebook.

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Rough Landing

This summer, I decided to use my time as efficiently as possible and start my career as a photographer. However, I wanted to approach it differently than others. Most photographers find small jobs to build up their portfolio until they gained enough exposure and experience to get bigger jobs. I wanted to continue my own path of photography by doing personal shoots that portray my own stories rather than others. In my personal opinion, you grow so much more because you are forced to think of concepts. You don’t have a stylist, a fashion director and a make up artist. Everything comes down to your own imagination.

This summer, I had my first ever serious photo shoot entitled “Rough Landing” with model Rhea Schmid. Rhea is an old friend of mine who thankfully gave me the chance to work with her. When you are starting off and trying to build a portfolio, it is best to ask any of your friends if they could model for you. It’s great to start with friends because it is more casual and you can do a lot more experimentation.

The concept for this shoot is “What happens when we think we are lost in the world, but in reality the world is the one that’s lose.”

It is based on my experience, having to study abroad in America. I went through a culture shock. I thought that I knew what living in America would be like through television and the internet. However, I could not have been more lost. That was the feeling that I wanted to portray. Watching a culture from afar and actually living in it are two completely different things.

This is the first shot of the series:

First photo from the series of “Rough Landing”

First photo from the series of “Rough Landing”

As you can see, this is a “composite” photograph. A composite photograph consists of several other photographs taken at different times and placed together in one photo through the means of photoshop or other tools. This process is called “photo manipulation”. There are many ways to create a composite photograph. You can either take the photos yourself or use stock images from websites. Personally however, the best way is to take your own photos.

Most of the time, the purpose of making a composite is to make it look as realistic as possible. The most important tip I can give you when creating realistic composites is to shoot the photos you are going to composite in the same location. This is to ensure that the lighting is consistent throughout the photo. Also, make sure that you shoot the photos in the same point of view.

For this photo, I used three different photos and composite it together. The first photo is the background.

Nikon D800, Shutter Speed 1/400, Aperture f/5.6

Nikon D800, Shutter Speed 1/400, Aperture f/5.6

The second photo are the clouds. I created this image of clouds by looking for “cloud” Photoshop brushes. When creating composites, brushes are one of the most useful tools that Photoshop offers. They are mostly free and easy to find online. When picking out brushes, make sure you get the high resolution one (at least 1500pxl).

Then the last photo is the model. I photographed the model at the same location as where I took the background. This was to make sure that I had consistent lighting. We shot on top of a condominium to get a birds eye view. As you can see, the model is laying on top of a reflector. This is to emulate the reflective quality of clouds (as they are colored white). The most important tip I can give you when working with composites is to plan ahead. Make sure that all the details of the photo match your intent.

Nikon D800, Shutter Speed 1/320, Aperture f/4

Nikon D800, Shutter Speed 1/320, Aperture f/4

All of the photos used in the composite are all in raw. No color correction was applied to them beforehand. This is important in creating unity and realism in the piece. The secret is to apply all filters and color corrections after you composite the photo to unify the piece.

I used this same composite technique for the rest of the other photos in the series. Here are the rest of the photos in the series:

If you have any questions as to how I did the other photos, just leave a comment. You can also write on my wall on facebook.

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